Logo design work honored in LogoLounge 9

So honored to be included again in the latest volume of Rockport Publishing's LogoLounge 9 by Bill Gardner and Anne Hellman. This will be my 90th logo featured in 11 LogoLounge series books. A little bit about this edition:

LogoLounge vol. 9 presents the 2,000 best logo designs as judged by a select group of identity designers and branding experts. Logos are organized into 20 visual categories for easy reference. Within each section, case studies allow a closer look at designs from diverse firms such as Hornall Anderson, Lippincott, Tether, Von Glitschka Studios, OCD and more. Each story details the logo design journey, from concept to finish. LogoLounge vol. 9 is the definitive logo resource for graphic designers, brand managers and start-ups looking for ideas and inspiration.

If you'd like to get your own copy, here's a link.

Featured work in Rockport's Design: Logo.

I am especially excited about this announcement. In late 2012, I was contacted by Paul Howalt and Von Glitschka about submitting some of my logo work for a new book they were putting together for Rockport Publishers entitled, Design: Logo. First of all, I was flattered to be included in the group, and have the utmost respect for both of their work. Between the two of them, it was going to be a cool book, for sure. Well, after chatting more with Paul, they decided to not only include a number of my pieces in the volume, but also feature a project I did for Avocadoville in one of their Closer Look spreads. I was more than happy to get some images shot of the work to be included in the feature. Thanks to Will Hare for the photography.

As it turns out, there were around 1,700 logos selected for the book, and work being included from some of the best logo folks in the business: Tim Frame, Chris Parks, Carlos Fernandez, The Greteman Group, Hatch, Jeremy Slagle, Joe Bosack, Jon Flaming, Joseph Blalock, Rule 29, Luke Bott, Mint, Randy Heil, Rian Hughes, Felix Sockwell, Thinking Cap Design, Gyula Nemeth, Ty Mattson, Ty Wilkins & Brent Couchman.

Not to mention, some great essays from five of the top branding industry thinkers: Bill Gardner, Alina Wheeler, Sherwin Schwartzrock, Justin Ahrens & Tracy Sabin.

Well, to see it in all of its glory was pretty exciting. Not only is it well designed, the content does not disappoint. Having a pretty extensive logo design library of my own, I have seen my share of design books. The essays are pertinent to the industry and nicely written, the logo work exemplary with little to no filler, and the art direction is well done, without taking over the work. It's definitely a nice addition to my collection, and certainly a nice cross-section of what's going on in the identity arena. You should certainly pick up one for yourself, now available on Amazon.

Featured showcase on Logopond

Since I first posted work on Logopond.com way back in January of 2008, I've seen the site grow from a hardcore bunch of logo geeks (my people!), into a thriving design community. It's been great to see the many designers from all over the world posting up work to show their wares, discuss the nuances of ligatures and line weights and get in a healthy debate about the many critiques happening every day on the site. I've made many an online friend from my days posting logo work - and even met a few in person. Now, I'm honored to be among the few that have my work showcased on Logopond. You can check out my collection and even peruse the site yourself. There's always plenty to see.

The Logopond design book has arrived!

After a lot of discussion, blood, sweat and tears, the inaugural volume of the Logopond logo design book has finally been published. Much credit to David Blanchet, the founder and curator of the website, Logopond.com for making this all happen. All in all, from my initial thumbing through, it certainly is a nice first-time effort. I am honored to be included (and on the very first page, mind you! Sweet.) with all of the other 'Ponders. Some really nice work is in there.

As an added bonus, I was asked to include a profile page along with my logo wares, with some interesting questions about how I became a logo designer and other bits of info. If you decide to get yourself a copy, you can certainly take a look. As with most of these self-published efforts, there aren't a lot of copies available, so make sure you order yours now.

I certainly hope this first effort will be something we start to see on a regular basis. Cheers, guys!

Logo work honored in iheartlogos Season Three.

Once again, I am honored today to find out I  will have my logo design work in the upcoming volume of iheartlogos Season Three. The iheartlogos.comcompetition model is unique in the fact that the work is judged not by a group of select designers sequestered in a room, but by your own competitors. You are the judge. And so is everyone else. Every season, the work submitted gets better and better, so I am honored to be included in Season Three’s offering. I can proudly say I've had work in all three volumes to date, with this season being my strongest showing. After a strong showing in the first two books, this series continues to grow with greater and greater potential. As usual, I’m looking forward to seeing it in person in all its glory.

Congratulations to the other designers and firms on their selected work. Cheers.

Get your copy.

San Jacinto logo illustration

Here's a new logo illustration project I completed for San Jacinto College, located in East Harris County, Texas. There are three campuses, each with its own rather established sports mascot. The assignment from their agency Whole Wheat Creative, was to help create a cohesive look and illustrative mascot style to the group of new logos, complete with custom typography and ligatures to be emblazoned on their newly updated uniforms. This was a particularly challenging project as there were many individuals with separate ideas, needs and opinions on how these designs should be handled. After several rounds of sketches and type explorations, here are the final results. Also included is a script direction, primarily for the baseball/softball uniforms that was not used in the final deliverables, but was fun and challenging to design.